Camera production
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Single operator to 10-camera outside broadcast. Directed, switched and replayed live.
Room One Live is an Auckland live broadcast company. We run cameras, live graphics, streaming and network as one system — for sport, music and esports, from a single-camera stream to a 10-camera outside broadcast.
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WORK — 01
SERVICES — 02
Camera, live graphics, streaming and technical integration. Most live events stitch these together from separate vendors — Room One Live runs all four as one signal path, one crew, one point of accountability.
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Single operator to 10-camera outside broadcast. Directed, switched and replayed live.
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Scoreboards, overlays, sponsor loops and real-time data, keyed into the program feed.
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Multi-platform delivery at low latency: Twitch, YouTube, broadcast handoff, global CDN. Redundant paths as standard.
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The unglamorous layer that makes it work: signal flow, comms, network design and the plan B nobody notices we used.
PROCESS — 03
What is the event, who watches it, where does it need to land. We size the system to the show, not the other way round.
Camera plan, signal flow, network paths, redundancy. Drawn, checked and shared before anything gets loaded into a van.
Rig, patch, test every chain end to end. A broadcast that is proven before doors open is the only kind we send live.
Show day. Directed cameras, live graphics, monitored streams and comms across the whole crew until the last frame is out.
FAQ — 04
Room One Live is a live broadcast and event production company based in Auckland, New Zealand. We deliver multi-camera coverage, live graphics and data, streaming and network, and technical integration for sport, music and esports — run as one system by one crew.
We are based in Newmarket, Auckland, and work across New Zealand. We also deliver international broadcasts using a cloud production stack, which often needs only a light crew on the ground.
For multi-camera events, four to eight weeks lets us design and test properly. Smaller streams can move faster. If it is urgent, ask; we have turned shows around in days when the scope allowed.
From a single-camera club stream to a 10-camera stadium broadcast with global distribution. The system is designed per show, so you pay for the layers your event actually needs.
Twitch, YouTube, Facebook, TikTok Live, broadcast handoff to networks like TVNZ or Stuff Play, and custom endpoints, simultaneously where needed.
Redundancy is designed in before show day: backup encoders, dual network paths and tested failovers. The audience should never know a failover happened. That is the standard we build to.
Yes. We have delivered shows across New Zealand and internationally, and our cloud production stack means many global jobs need only a light crew on the ground.
Per show, based on the technical layers involved: cameras, graphics, streaming, network and crew. You get a fixed quote after the brief, not an hourly surprise.